Studio Owner Job Description – Belly Dance

Many people enjoy belly dancing lessons and taking part in performances. After gaining experiences in teaching and performing, you feel that you are qualified to open a business. Do you want to open a studio in a home environment or do you want to lease a commercial location?

There are many excellent reasons to teach in a home; however, zoning regulations may not permit it. During the early stages of beginning this business. It is to your advantage to use an attorney for legal advice.

Research a location in a commercial zoning area that provides a safe area for student parking. Rent or lease a former studio or select a space that can be setup to meet the needs of the classroom.

A major consideration is money. Most small businesses need a minimum of five years to succeed. There are many beginning costs and unexpected expenses which arise in the first year of business. Will your bank account be able to cover these expenditures when the school income cannot pay obligations and your salary?

We love this dance art and we want to share our knowledge with others for an affordable fee. You need business education. Raising capital is the priority in owning a business.

Teaching is one part of creating revenue for the school. Other money-making outlets keep additional funds for secure operation. Make a list of all money-making ventures. Calculate the number of students to secure a stable revenue. List other ventures to supplement the basic income?

Keep a savings account and insurance to cover unexpected necessities and emergency expenditures.

It is important that you invest with personal monies and acknowledge your capabilities to create other income. Do not borrow money. It may help as a temporary solution, but it will add to an ongoing debt.

Traditional lending institutions such as banks consider the entertainment industry as high risk and will say “no” to a loan. Using credit cards will add debt with interest rates.

Avoid borrowing monies from family and friends. Often they are the last to see their monies returned and hurt feelings will prevail and loss of friendships.

You are in the business of people. Keep them happy. Other methods to support your business are original ideas, solutions, and business knowledge.

Summary: Work your brain to think out of the box with creative ideas of making improvements to increase student capacity. Bookkeeping, contracts, and record keeping is on a routine schedule. Dancers do not find these daily tasks enjoyable or exciting, but regardless of your personal emotions, do it. If you ignore financial details how will you know if you are making profits or losses? You need to know of spent and received monies.

Belly Dance Burnout

Much thought has gone into this article regarding belly dance burn out. For most dancers who are just starting out working in restaurants and nightclubs, it is hard to fathom ever getting to a point where you find yourself sitting on the side of the bed trying to talk yourself into getting ready for another show, but in reality it happens and the amazing thing about it is that it isn’t like a virus that just hits you and you can get over it. It is gradual and towards the end of this emotional rollercoaster, you feel like you just can’t get it together to go out and perform for even the most appreciative audience.

Dancers, who experience belly dance burn out, feel like they are unappreciative of their position in their dance community and guilt complex sets in. So let’s talk about this and look at some warning signs before hand so that no dancer has to experience “Belly Dance Burnout”.

Most dancers who are motivated to perform within the 4 to 6 year career spectrum are ready to conquer the world. These are my favorite dancers because nothing gets them down. Most dancers at this level are motivated from an inner core of self confidence. But after awhile life takes a toll on this inner core and self doubt sinks in slowly but surely. Why this happens is a very important question.

No matter how you look at belly dancing, this is an entertainment that effects the life of the dancer which includes, family, friends, coworkers, and even the dog or cat. When you are in this type of dance many things in your life change. The first thing that most women notice is the effect it has on their body image. Belly dancing will show you what is right about your body and it directs you to a path of enlightenment.


When we change our attitude, there seems to be one thing that we forget to change with it and that is our perception of the world around us. Perception is very important because it helps you see the difference between the shallow aspects of our dance to the deep and profound experiences. Many dancers forget that attitude can be momentary and fluctuate between having a great show to having an off performance. If your perception and knowledge of your dance are kept equal than your attitude will follow in their footsteps.


Another problem that can create havoc in a dancers world is a crisis of ego. And there seems to be different types. Type number 1 is usually created when a performer doesn’t understand that she must work her way up to performing in different venues. If any position is handed down to her, she won’t have any respect for the venue or herself. Any performer who leaves this situation stressed has to understand that anything handed to them must be acknowledged as a gift and treated with respect. Through trial and error can a true performer understand her place in her community. TYPE 2: happens when performers get accolades early on in their career and forget their humility. We all want to be told we are amazing and incredible dancers but the fact is there are a lot of amazing and incredible dancers out there.

Remember that compliments are a dime a dozen. The point is to dance from humility. Compliments aren’t guaranteed and they won’t always come your way. There will be moments when a dancer performs and finds the audience isn’t watching or interested. Eventually the feeling of “what’s the use” creeps up and there you have the beginning symptom of belly dance burn out. Remember why you started dancing in the first place. Go back to those first moments of enthusiasm that you felt when you first started learning how to dance. In those beginning moments all that mattered was that you were doing what you loved and wanted to do. Center yourself on always being appreciative that you have the chance to perform. Remember you are continually shining your diamond of the dancer with in you. Peoples compliments are just icing on the cake.

TYPE 3: is the dancer who feels she can perform and compete with the best of them even if she has only been dancing a fraction of the time of her contemporaries. Time will usually teach this dancer a lesson by shocking her with an experience she is unprepared for. This experience alone can knock her off her feet. It will make her think twice and hopefully get her back on the path of humility. These types of “Ego Crisis” when experienced for long periods of time can strain the enthusiasm of any performer. Make sure you replace the ego with self confidence.


This can create repetitive, boring moves. This is one area that all dancers who have been performing for many years experience one time or another. Remember that this is a dance of how you live your life. You bring in your experiences into your dance and that in itself will keep choreography fresh. Self criticism or comparing oneself to another dancer is not healthy and it creates stagnation in the creative process. Remember that there is only one of you in the Universe and what a true blessing you are. Your creativity is already unique because “You” exist. Also remember that you must dance from your own creativity. Becoming someone else’s carbon copy or imitating another dancer may seem like a compliment but it takes away your own creative process. Dancers need to perform from their own place and image. All performers have their own treasure trove of moves. Just look inside yourself.


Time management is something that effects the professional dancer. First is the fact that many performers dance so much that they forget to practice or don’t make time. Moves get sloppy and repetitive and the dancer’s enthusiasm goes down the drain. As a performer we must honor ourselves and our audience by dancing the best show possible. Training and practicing enhances techniques and they keep all of us in shape not only physically but mentally. Another factor is not having time with family or friends. The dance can to take over the life of the dancer. So the dancer has to make decisions based on what kind of family life she wants to preserve. Performing can also become addictive so make sure that the gigs that you agree to are worth it in time and money. Remember, you can always say “no” to a gig.


This definitely does not help in the confidence area. Most people if they are not educated regarding our type of dance, don’t understand what they are watching. And if a performer doesn’t know how to perform in front of different types of audiences, this can be devastating. One way to know what to expect in advance is to find out what kind of venue you may be performing at. It seems simple and rather basic but when dancers perform a lot, certain questions can easily be forgotten. And there are those performances that you know in advance might be questionable. Either way just know that you have to end the performance with confidence knowing you did your best. There are venues where a dancer was incredible and still will get a luke warm response from the audience. Don’t judge yourself by the audiences response. Judge yourself by how you felt inside. Your gut will always tell you the truth.

Remember that second guessing yourself just adds fuel to the fire of self doubt. So here’s a little secret I would like to share with you:All performers have an advantage before they ever get in front of people. This one advantage is the fact that the story they will tell will be one of a kind. This in itself is a miracle. And to remember oneself is a reminder of the miracle that you are and dancing is a way of telling the world about miracles. So when you are feeling the “belly dance burn out” just remember the miracle that you are and the miracles that you need to share.

Many Blessings,

Profitable Ideas for Belly Dance Studio

After taking classes from other instructors, it is decided that the next step in your personal advancement is to become an instructor and start a belly dancing business.

The operation of a belly dance studio requires daily attention to students needs and desires.

In the beginning are the owner’s ideas of making money learned from previous experiences from other dance studios. There is nothing wrong with this, however; it will be temporary.

Immediate income is from students taking classes. A basic beginners course and different levels of classes to advance skills will keep students continuing the course to its completion. After the basic course students may leave.

What can you do to keep students attending and continuing an income?

  1. Specialty classes – these classes may be taught by self or hire other instructors.
  2. Props of sword, cane, tambourine, candelabra, candles, and veil. These classes may range from a couple of hours or taught as a weekend event.
  3. Zills and drumming – these are the basic percussion instruments which belly dancers use. Learning about different zill patterns and drum rhythms will help students understand the various rhythms of Middle Eastern music.
  4. Teach in-home private instruction and offer demonstrations at schools and other types of women’s organizations.
  5. Hire self out for national and international seminars as an instructor and build your brand name.
  6. Design a website page and keep it active with information. Include an application for attending classes or hiring a performer.
  7. Teach basics, techniques, and psychology of entertaining at private parties, restaurant dancing, and stage performances to students who want to become professional performers.
  8. Sell services of dancers for parties, conventions, and organizations for local, national, and international markets.
  9. Teach costume and accessories construction. These classes not only help students to have custom-made outfits for their selves, but it serves to satisfy their creative and imaginative interest for arts and crafts.
  10. Designing and assembling jewelry. Making jewelry which the dancer uses are beautiful and many dancers like their jewelry to compliment their costumes correctly.
  11. There are many other styles of this art form. In the past there were two categories of dances. Today there are nine different styles of belly dancing. It is not possible for one person to teach the nine different styles; hire other instructors. It is critical to offer variety in the dance studio; do not depend on one style.
  12. Teach or conduct workshops and seminars. Workshop classes are taught in one day. Seminars are conducted over a three-day weekend. Hire national or international instructors.
  13. Mount a display wall or a mini-shop in the studio and sell all essential costumes, accessories, jewelry, props, and musical items which dancers need or wish to own. Include consignment opportunities.
  14. Produce online videos and offer online classes.

These money-making ideas may be done one at a time or several may be incorporated